In fact, the complexity of such a mass media is not from today, but it is more prominent today. According to Mr. Qian Mulao, if you find problems in reality, you can look for answers in history. The answers may not be found or managed, but at least it can give us some enlightenment. When it comes to historical media, there are too many cases than we now recognize that Flaubert’s novels, the originator of western modern novels, are deeply connected with Madame Bovary’s stories by mass media. I first read a Flaubert story called Flaubert Parrot. There are also many descriptions of Flaubert’s family. Flaubert’s family was born in Sri Lanka and died in the media. Compared with now, it is hard for us to imagine what Lu Xun’s novels would be like without the stimulation of mass media. Not to mention that Lu Xun’s essays were published in newspapers at that time. He wanted to hit the nail on the head immediately and beat Reservoir Dogs to choose a newspaper. However, the diary of his madman in Lu Xun’s novels was also in the newspaper, and the editor could adjust the number of words in each paragraph at any time because of the change of the newspaper surface. Mr. Urgent Ah Q may live a few more days. If he lives a few more days, who knows what will happen to Ah Q? Maybe Mr. Lu Xun won’t let him die, so that he can become a dead and inflexible person. Really, what we have discovered from Ah Q’s body is that there will be many differences in our understanding of national character today. Can we be a little bolder to come to the conclusion that whether it is China modern novels or western modern novels, it is closely related to modern media, and without modern media, it will be nothing? We now see modern novels, which are actually important achievements in the development of modern media.
It seems understandable that Lu Xun’s family is influenced by the mass media. Other families are in the Peach Blossom Garden. Others are influenced by the mass media more than Shen Congwen. Moreover, he sees the world, imagines the world, and expresses the world. His novel style is closely related to the influence of the mass media, but it is very strange that we tend to ignore this point. Because his novel style is very hidden, the mass media wrote a long article, which was first published in newspapers. The supplement of Sing Tao Daily, a Hong Kong newspaper, ran from August to November in 1938. Recently, because of my novel about local life, pomegranate trees bear cherries, I was asked what I think of local literature. I can’t talk nonsense. I read some novels by Shen Congwen and Zhao Shuxiao. I think the long river is one-way. Shen Congwen also wrote an inscription about the origin of this novel. He talked about the fact that he returned to Xiangxi from Peiping in the winter of the 23 rd year of the Republic of China, and then he was transferred to his hometown Phoenix by boat from Yuanshui. After ten years, he said that as soon as he entered Phoenix, everything changed. The most obvious change was that the simplicity of the rural society and the beauty of human feelings almost disappeared. Then he came to the word "modern". He said that the word "modern" was very specific when it came to Xiangxi. How to be specific is to smoke cigarettes. Now people are eating canned cigarettes, and at the same time, official documents have entered people’s daily spoken English in political life. Then he made a stroke and went to his most famous border town. He talked about what he wrote about the border town, saying that he had written the border town to compare the past and the present. If heIs the most important theme of China’s novels, poetry or novels? What he said here is the problem of the disappearance and reconstruction of national morality, which can at least simply solve his appeal for human beauty. Then he said that he would write about the border town road, and how the local farmers have been crushed and distorted by the times in recent twenty years and lost their simplicity, plus anatomical description.
Shen Congwen’s inscription is very long, from which we can read the message that he has no experience in living in Beijing, and he has no contact with modern media. He will never write about a long river and a border town, which means that in the border town, Shen Congwen actually didn’t compare the past and the present as he said. He showed us that Xiangxi would be a very pure side. He said that he had built a small Greek temple with some religious feelings, but in the long river, Shen Congwen kept going to the modern media, and at most he declared that I was writing coloratura. At that time, I had looked up some information about the declaration, because it was the most influential newspaper in modern China. It was founded in the 19th century and stopped publishing in 1949. How influential was it? It became synonymous with newspapers and became synonymous with modern China media. Like Lu Ban, he referred to carpenters as capitulationists, that is, Song Jiang. At the time of declaration, Shen Congwen often heard a modern word. At that time, it was really a modern word. Now it is as modern as the new rural movement. This word is the new life movement. We all know that it was the movement that Chiang Kai-shek personally caught. From 1934 to 1949, it lasted for fifteen years. This should be the longest movement in China, which was even longer than the Cultural Revolution. We can also see the ironic description of the new life movement in the siege of Qian Hammer. When I was a child, I saw a Jinling Dream of Spring, also called the Notes of Guards, which also described the new life movement of Chiang Kai-shek. Now we all know that pedestrians walk on the right, which is actually the new life movement. Of course, this movement is to connect with the world culture, and on the other hand, it is to advocate etiquette, shame and rejuvenation of the unified culture.In this way, the novel Changhe becomes very interesting, full of people’s words and a series of mass media words, and most of those mass media words are expressed in the way of people’s words to present a new reality. When Shen Congwen wrote Changhe, he was very ambitious and prepared to write four volumes to write Tolstoy’s war. His ambition is also reflected in his preparation of his own novel to respond strongly to that era. Shen Congwen seems to be calm, but in fact he is very radical. He also made many adjustments in his narrative style. Now, if you look back at the long river, you can still feel that his general novels are quite different, and they are really described with a lot of noise. It is not like a general novel, but rather like a story about local history and customs. Xiaowen is a series of fragments. In recent years, a word is often mentioned as an encyclopedia novel. This is a concept of Calvino, but you can find that the long river is really like an encyclopedia novel like Calvino. I may also be mistaken. This is a family like Shen Congwen who made a necessary adjustment to novels in his time.
Connecting with Shen Congwen’s writing about border towns in the same period, we will find that his emphasis on reality includes two directions. One is to regard mass broadcasting as a new cultural phenomenon and mass media reality as a new reality, and then to express it in Mr. Yu Hua’s words. This may be a face-to-face attack. We know that a very famous French teacher in Paris is called bourdieu. This concept is to divide knowledge into 50,000 words, which is a small volume, but it has great influence. His statement is not a face-to-face attack but a participation. To put it simply, objectification of sex is to expose and liquidate other objects, which is similar to a Trojan horse, that is, to enter the other side and criticize it. He also said that knowledge points should combine intellectual pessimism, action optimism, and Shen Congwen’s other approach seems to be to escape from the scene and describe a border town that has not been influenced by modern literature. When we look at the border town, it is really like reading the Peach Blossom Garden. That is a utopia, a tower, a river, an old man and a girl. There is no doubt that the boat is a dog in the real world. It is not what Shen Congwen described. Why did Shen Congwen come to Beijing as a soldier? It is said that Shen Congwen wrote Cuicui, Zhang Zhaoying’s face is very good, and she seems to have noticed a word called Dailin Daiyu. But let’s not forget that Zhang Zhao’s family is foreign, and Cuicui is like a beautiful little animal. Her biggest playmate is not the yellow dog, which reveals a message that Shen Congwen has a feeling about urban life.
On the surface, we may call Shen Congwen’s novels local narrative, but whether at that time or now, Shen Congwen’s local narrative is not about telling a country story, nor is it about telling a story about others. In fact, it is very complicated. We regard Shen Congwen’s enthusiasm for writing and his local narrative significance as the stimulation of the external world and the involvement of the mass media on behalf of modern cultural symbols. I think this statement is generally valid. I think this is two ways for a local family like Shen Congwen to respond to reality. His writing has also gained a long-lasting significance. Until today, whether it is in China or abroad, whether it is in the official or the people or in the knowledge hierarchy, China is still recognized as a local society to a great extent. Even our city will be recognized as a city with a local background. However, when we write a local society, it must be written from the standpoint of knowledge. In my opinion, although Shen Congwen is called a countryman, he is indeed a very sensitive knowledge. Think about it. He realized the mass media problem at that time and was in style. It’s really not easy to respond. I think his writing can bring us some enlightenment, the most important of which is that he realized that the method of imagining the world is spheroidized today in modern media. Today, Shen Congwen’s method of imagining the world, a local narrative meaning, is not outdated, but more and more enlightening
Of course, we have to admit that Shen Congwen’s influence on the times was deeper and wider than that of the mass media at that time, and at the same time, the nature of the media also changed. It is said that at that time, the modern media or the government reporters seemed to believe that the media played a similar role to unified measurement to a certain extent, and it did have some modernity and more positive significance. So now the mass media has indeed changed. As far as the China media is concerned, this change is of course more positive, but the problem is another. On the one hand, it is equally sudden, and it may become more and more sudden. From four years, Pozmann was very thin, and it was called entertainment death, which unexpectedly became a best seller. At that time, one of my novels was going to pomegranate trees and bearing cherries, and at the same time, I won an award. I didn’t expect to look at it, and the other one was called childhood disappearance, which was also very interesting, entertaining and sharp. In entertainment death, Pozmann looked at the contemporary mass media in the eye. This statement may be extreme, but it can really hit the nail on the head. I think some of his statements are equally
Pozmann said that the contemporary mass media is actually a sound, that is, the entertainment sounds are all trying to be funny. The news value depends on how many laughs it can bring. An announcer’s viewing rate will plummet because he is ugly and can’t bring people visual pleasure. Then the announcer’s field will just pack up and get out of here. In this process, he also learned an interesting story, saying that Nixon Watergate incident is associated with Nixon sending a video camera to Mao Zedong, so this matter is even more meaningful. According to Pozmann’s investigation, Watergate Incident will be exposed because of Nick. Song’s image problem is not like an honest man, but like a liar, which aroused others’ suspicion. Nixon really showed his fox’s tail after a fierce chase. We found that Nixon has also contributed a phrase to the world since then. The door-calling incident is better than the Clinton zipper incident and so on. Pozmann won when Reagan participated in the presidential debate that year because he told a joke during the debate. The headline of the newspaper the next day was Reagan’s joke, which defeated his opponent one by one. Pozmann was listing these interesting things. The way of listing seems to be that after telling a joke, Pozmann asked a very serious question. He said that the most developed country in the world today, such as the United States, is unconsciously entering another kind of meeting, which is different from the former meeting. It is no longer a prison, a whip or a tiger stool, but a happy moment. In fashionable words, it is a harmonious moment. You have to admit that Pozmann’s eyes are very sharp. We admit that he is telling the truth, so this kind of media-specific entertainment is really very hidden. So in such a situation, we no longer experience the kind of unified pain, the old-fashioned pain and the subtle painIt’s meaningless and worthless, but others can laugh it off as if it were a test of Pozmann’s sentence. Although Pozmann is very important, when he died three years ago, did his death not cause any ripple? Because at that time, the American news media were keen on one thing, that is, playing the famous male robot Schwarzenegger in the election for governor Schwarzenegger, a Hollywood star. The political election mode and Hollywood entertainment mode are exactly the same. We know that Schwarzenegger’s performances are all in the future world. It’s a wonderful fable that big pieces can still bring happiness to people.
Of course, we don’t mean that in such an era of entertainment controlled by the media, we have no pain. Of course, the pain is still there, but many times we experience the pain after being influenced by the mass media. It sounds like a new kind of pain. Let me give you an example. It may be that Ibsen wrote Nora’s pain. Did Nora walk or stay at home? Didn’t Lu Xun write an article later? What should she do after Nora left? Will she come back or stay outside? What will you do if you stay outside? It’s a woman’s pain. Now the woman’s pain has become a kind of makeup pain, saying that they have been liberated from the old-fashioned pain, from the stick, tiger stool and male chauvinism. So now they have entered a new kind of pain, a kind of pain when facing the mirror. What am I not as beautiful as Zhang Yi? What am I not as beautiful as Maggie Cheung? What is Tony Leung Chiu Wai staring at Tang Wei instead of staring at me? No, Zhang Yi, any makeup girl has to wear makeup, Zhang Man. What kind of cheongsam does jade wear in the video? What kind of cheongsam does Tang Wei wear? What kind of handbag does Miss want? And when describing women, women’s bodies seem to be cuttable. This video advertisement focuses on women’s breasts. Whether it’s clothing, camera shooting or lighting is causing explosions. The film is disintegrated here because it wants to show cheongsam articles, focusing on the waist. At this time, women have entered another specialty. Of course, this is not a woman’s problem. Men encounter problems as serious as it may be. This specialty is the mass media that gives us.Where is the pain? Where is the authenticity of the individual in such a harmonious atmosphere?
So in this case, fiction must be written in a certain way. I am at least an editor. I can see in a large number of contributions that contemporary life, especially urban life, has entered the ukiyo-e description, and in many cases it is an addiction. The description is a desire to be assimilated. It is a pity that I have not seen more reflective writing on such a new specialty. Reflective writing is threatening to individuals’ authenticity. Although I am still willing to admit that this is indeed a kind of description and it is very effective in the market. Of course, I prefer to see another tune. I think it is more spiritual. If you pay a little attention, you will find that in the new century, some important sensitive scholars often emphasize the narrative resources of novels. Mo Yan’s novel sandalwood punishment is an important example. Sandalwood punishment is really a wonderful structure. Ge Fei’s face is also an example. Bi Feiyu’s corn is also an example. Of course, these three novels are all contemporary masterpieces, and there are only a handful of them. In the postscript, Jie Mo Yan has made great strides back. Many critics have also joined the discussion. It’s a tribute to the novel. He said that he was influenced by Jin Ping Mei, a dream of red mansions. I remember that many years ago, Bi Feiyu had just published the praise of the corn boom, but before it came. I had a long talk privately. He asked me what I thought of corn. Of course, I thought highly of it. Don’t laugh. It was not a polite talk, but a matter of narrative resources. I said that I was very familiar with the novel. Bi Feiyu told me when he was happy that he was reading Jin Ping Mei Shui Hu, a song about corn. According to him, it was also very interesting.It can be said that contemporary writing is an important situation, a complicated situation, and when they talk about narrative resources, I, they are actually emphasizing the local narrative meaning, a new possibility of local narrative in the new cultural context. I also want to say that what Shen Congwen wrote in the past should actually be said to be in the same strain, and today we emphasize that narrative resources should be taken back from the shelf and put on our desk because the more spherical the local narrative meaning is, the more obvious our body resources will be. Of course, compared with them, Shen Congwen’s novels have done a lot of comparison. On the contrary, Shen Congwen’s description of utopia is a kind of dystopia, which absorbs and digests many relatively new research achievements. It finally presents a bitter interpretation of modern history by economists. I think it is more important that their style, an archaic style, causes a sense of alienation, so as to carry out personal struggle against the language, culture and ideology represented by mass media. They stubbornly refuse to be assimilated.
Of course, there is another way to attract some important elements of the mass media, especially the media, in the fictional form. I used to be very fascinated by such an attempt. Recently, I was watching a book by Mr. Nan Fan, and I was nervous to see that he cited a multimedia artist. This family is called Paul Roberts. He wrote an article about the influence of digital technology on the text. He said that the story of the former novel can be told in one way, and the story will end with Dajiangdong at one end. Going to the end is a linear way of telling, and then another way is nonlinear. Many possibilities are added and spread around to form a new and more complicated text structure. For example, he said that we can find Mozart’s mouse point on the CD, and you can find Mozart’s link. You can read the tenth century music or Vienna opera articles. Then you click on the word Don Juan and get another text. Then you may hear opera fragments. What? Then it may be before Pavarotti dies. Wife, stepwife, a lot of daughters are fighting for inheritance. Now it may be the political and economic situation of Italy. Football Materazzida, a country like boots, will suddenly flash. We will find that you will soon jump from one thing to another, from one word to another, from one fragment to another. Mr. Nan Fan quoted Roberts as saying that you are turning into various sub-channels along different symbol routes and creating a nonlinear narrative based on a huge library.
Because Baidu, Google and other search engines are widely used, we are now accustomed to such a description. I remember that many years ago, at the end of the 1990s, I told a friend that I wanted to write a novel in the form of a newspaper, but I even named it Sun Liang Evening News around a personal destiny exhibition. My friends know that I often write a story called Sun Liangren, but later my interest turned to other aspects. Some fragments of this novel were short stories. Now I see Roberts describing that I am interested in how he evaluates and feels about such an arrangement. I am surprised to find that his feelings are very similar to my original worries. What do you feel and worry about? It is this sense of fragmentation that makes people feel uncomfortable. Although the articles can be linked to each other, they are actually isolated from each other, so it is impossible to be self-styled. We know that the rhetorical style of home is an important evidence that home is in the world. So it is more important to be home and to brighten your point of view. When you write a newspaper, When you write a newspaper, what’s the difference? Are you assimilated by the newspaper? I know that this kind of writing is often named crazy, and it’s really crazy, so that your eyes and hands can’t keep up with it. Do you still express your true feelings in quiet silence even a little bit? Then you seem to have broken the literary limit in your will, but you have entered another kind of limit. In the end, it’s probably an illusion. I think this dilemma may also be a more extreme style experiment. People may encounter problems sooner or later. I want to be wary of this.
Perhaps more importantly, after going through many things, we finally realize that we really still have a lot of pains. In many cases, it is that the law is entertained or the law is agreed, which requires you personally or your writing group to face it alone. That is to say, we are still a very hard nuclear law, and we still have our own dark background. We still need to face those pains. Those who belong to the China family will still attack our hearts from time to time, although the secularization wave has swept through the western developed countries in China due to the arrival of the globalization era. Economic and cultural products have flooded into the streets and alleys of China, and there is a happy atmosphere everywhere. However, the political structure of the China Society has not changed fundamentally. In the ideological field, history is still sliding forward with strong inertia. So, on the one hand, China seems to have entered the post-modern period, and the international society is in a large area. On the other hand, many aspects of the China Society are still in the pre-modern period. This is a special Chinese situation. Because we are in the pre-modern period, we are still a kind of violence that can be called unification, pain and poverty. Ignorance and oppression, I might as well weigh such a pain, which is a kind of heavy and unbearable weight. This reminds me of a saying by milosz, a Polish scientist, that milosz speaks in another Europe and Poland is in that other Europe. What does it mean? He means that although Poland is in Europe, the Poles still live in Europe, and one of them has ended his history. When he lived in Europe in the past, his pain was regarded as an outdated pain by other Europeans. So, such a situation may be that our history is now very similar. For others, the marathon has ended, the champagne has hit the line, and the champagne bubble has dissipated.Generally speaking, history is not over, and we can still feel the great pressure of history.
Then, in addition to this measurable pain, we do have a kind of pain that is relatively new, unique to listen to, and really real at the same time. That kind of pain is that after China’s dream of utopia for a hundred years was shattered, knowledge was divided into souls, and the sense of strength was suppressed due to the rule of modern technology, and after the desire was released, we were sleepy. This kind of fresh pain, according to Milan Kundera, may also be called the pain that is less tolerable. More often, we wandered around these two kinds of pains and moaned.
Obviously, some of these experiences are easily digested by our law, but some of them are absorbed by the mass media, and they all depend on us to present them, and perhaps through fiction. Finally, I want to say that in this media age, no matter what you do, how to deal with them, what you have to solve in the end is fiction to face this kind of pain and complexity, and fiction may gain its meaning and dignity.
Let me go back to the sentence when I first arrived in brodsky. Did I make my mystery clear? No, it’s probably not. It’s likely that the mystery is getting bigger and bigger
Thank you
end
Qing Di DeahsaeDeahsae
The state has ended.
brief introduction
Humanism collapses, the celestial trace is born noble, the grass is rotten, Kyushu is broken and robbed, and the reputation of the blue badge is nearly 5 million words. Rest assured, the official group-Qingdi Palace 173617 Hougong Group vip reading plus the official group-Honglian Temple 167139 hardcore group will not be put aside for the time being, and the official group-Sanchu Temple 14536868 will also be the official group-four badges-the old readers are more, and the number of people is more. Welcome to chat. Do not repeat the official group.
chapters and sections
The first chapter is the garden.
The spring rain is chilly and cold, and the lake is misty.
There is a window in the waterside pavilion by the lake, and the rain is blown into the waterside pavilion by the spring breeze. There is a huge bronze stove in the waterside pavilion. The ancient inscription of the bronze stove is cast on the four feet, but it is ferocious.
This brave warrior in the Dajin Dynasty represents the army’s courage to cast brave warriors in the bronze furnace. It must be the strength given by the valiant military emperor.
Around this nine-foot copper furnace, there is a girl in colorful clothes. There is a charcoal fire burning in the copper furnace. Winter has passed, but this charcoal fire is for roasting fresh fish. A girl in colorful clothes is laughing and sitting on a high bench with a long silver fork, turning over the silver pot with some yellow and tender fish bodies and spraying seasoning juice.
Fish fat caught in the fragrant spring water rarely sprays seasoning and falls into the charcoal fire to emit light smoke.
A copper stove raises the temperature of the waterside pavilion, and the spring chill is no longer there.
There is a curtain hanging in the middle of the waterside pavilion, and the other end is stuck to the ground. There is also a 12-foot long case around it. At the end of the case, there is a Zhang Guifei chair with a 14-year-old boy lying.
The teenager was very clean in a slightly old brocade robe. He kicked in the chair with his bare shoes, and a celadon bottle in the hand of a long case has been flopped and drained.
The long case is already a mess.
On the other side of the long case, a girl in colorful clothes is reading aloud with a clear voice in her hands. The teenager is listening to the girl reading aloud with his eyes closed and his right hand holding a dagger finger gently tapping the scabbard.
Behind the teenager, there is a girl next to the imperial concubine chair. This girl is a little older. It seems that she is wearing a green skirt with a jacket and no blouse. This girl is as old as those girls in colorful clothes.
Listen to the girl reading aloud and wake up the dragon. People can’t stay overnight with lonely girls to vote.
This video of a girl in colorful clothes is a vivid and touching story. When I read it here, I suddenly stopped with tears in my eyes.
Behind the teenager, the girl said wisteria continued to read.
A girl named wisteria stubbornly looked up and looked straight at the young lady behind her. How did you read this kind of you?
What’s wrong with this green skirt girl narrowed her eyes and sneered slightly.
this is
Miss Ha Wisteria, you and your father are really like a man who went to remonstrate with the emperor and his head was cut off. One of them has been sold into slavery. You still want to remonstrate with the Lord to do your thing well, can’t you? The girl’s words are very sharp, and Wisteria’s eyes can’t help but shed tears.
The young man opened his eyes and said, wisteria, why are you so ignorant?
Wisteria gritted her teeth and her white neck was straight, just like her father’s life was upright and unyielding.
The boy’s eyes were not annoyed. He slowly said that his father had gone to the capital and was about to start again. This time, he had to deal with Yu Guogong, the enemy of the northwest. Hey, how many people were jealous? This time, I also want to go to Beijing. Do I have to be a dude’s father like you to do things?